GENDERDOME

Sep 20

(via fileformat)



likeafieldmouse:

Gustave Caillebotte - The Floor Scrapers (1875-6)

Original on top, later version below

"Despite the effort Caillebotte put into the painting, it was rejected by France’s most prestigious art exhibition, The Salon, in 1875. The depiction of working-class people in their trade, not fully clothed, shocked the jurors and was deemed a ‘vulgar subject matter.’ 

The images of the floor scrapers came to be associated with Degas’s paintings of washerwomen, also presented at the same exhibition and similarly scorned as ‘vulgar’”.

(via androphilia)


runwayandbeauty:

Fei Fei Sun - New York Fashion Week Spring 2015.


This dress looks cute af on me

runwayandbeauty:

Fei Fei Sun - New York Fashion Week Spring 2015.

This dress looks cute af on me

(via tokyobenz)


Sep 19

Puce Moment - Kenneth Anger - 1949

Yvonne Marquis

(via giallolooks)


Sep 18

goddessclothingco:

Introducing GODDESS Press, a new publishing platform that exists to provide a home for art and literature aimed at exploring and exploding gender and beauty, and to publish exciting work that challenges and questions in any number of fields.

The debut publication from GODDESS Press is BEAUTIES by Micah Jones with foreword by Mehron Abdollmohammadi. 

Micah Jones’ book of sketches for GODDESS PRESS, a collection of trans beauties real and imagined, performs what I would call a generous narcissism: an insistent, dynamic technique of self-production, and self-representation. Her illustrations are playful, alluring, dramatic; performances of a particularly eruptive genre of beauty. Each delicate curve, each shaded lid is a drop in the pond from which we drink, for which we thirst. 

-From the foreword by Mehron Abdollmohammadi.

Preorder the book before October 20 and receive 25% off. 

(via vooduud3)


(via b-ames)


(via er-nautica)



centuriespast:

TURA, CosmèSt Sebastianc. 1484Poplar panel, 75 x 32 cmStaatliche Museen, Berlin

centuriespast:

TURA, Cosmè
St Sebastian
c. 1484
Poplar panel, 75 x 32 cm
Staatliche Museen, Berlin


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